![]() ![]() Yes, it is a film about obsession, but it is the kind of obsession that many of us who love mechanical devices share. It has been released by Magnolia Home Entertainment for a very reasonable price. ![]() Having seen the film in its theatrical release, I knew it was one of the few car/bike movies that I would want to have in my home collection so I could see it again. But each were famed salt runners on two wheels which makes their inclusion by name a nice subtlety-although it is likely lost on all but the really knowledgeable viewers. No one can say for certain that two men, Rollie Free and Marty Dickerson, shown in the movie as hand’s-on helpers, ever actually knew, much less helped Munro. Speed Week still provides an assemblage of one of the most unusual assortment of cars and bikes every year and director Roger Donaldson manages to capture the chaos, excitement, and adventure. Indeed, for car and bike guys of any gender and age, one of the best parts of this film is the joy of seeing the Bonneville Salt Flats covered with the broad assortment of record machinery. Other vehicles shown running for records are indeed true, historic vehicles, rented from their current day restorers-owners. The movie portrays Bonneville’s racers and support folks in a way that pays proper credit to their competitiveness and humanity. It too was his own design and he handcrafted it. And then there was the streamlined body shell. He outfitted the Indian with 1,000 pound, 17-plate pressure clutch and triple-chain drive. ![]() He hand-carved the connecting rods from a Caterpillar tractor axle and then hardened and tempered them. In turn he’d cast the pistons by melting down other metal bits and machining the results to fit. By the time he took the bike to Bonneville he had increased its displacement to 950cc. When Bert Munro first brought his Indian home in 1920 its motor displaced 600cc. His mods were accomplished typical of self-sufficient Kiwis-do-it-yourself. The fact that the film compresses many of those years into a shorter time-span is part of the magic of movie-making…īetween the reality of several trips to Utah, Bert Munro did precisely what all Bonneville racers do he kept making improvements to his machine. Hopkins gives us a masterful performance of a man who has become so obsessed with his goals for so long, that he has fallen out of step with the world around him. Academy Award winning actor Anthony Hopkins plays the role of Bert Munro with a gritty, grimy charm that is recognizable to anyone who has ever spent anytime around an old time auto repair or motorcycle shop. Happily, The Fastest Indian has managed to bypass all of the usual complaints to be really worth watching. But don’t let any of that detract from your watching and enjoying, because the overall take-away is structured to allow the viewer to see and enjoy all of the best bits of Munro’s story with experiences from several years of challenging Bonneville combined into one year, one adventure. And we’ll clue you in with some of the real facts so you can, if it pleases you, harrumph and awe your buddies with your knowledge. The story lines are usually contrived, the action often improbable, and the car-guy or motorcyclist stuff is rarely right.īert Munro’s story is a grand one even if liberties were taken by Roger Donaldson, the writer/director/producer. Let’s face it most fictional feature-length motion pictures that deal with cars and/or bikes have been pretty awful. I frankly didn’t expect much, but went to see this film when it was first released in theaters anyway. With Anthony Hopkins portraying the legendary Bert (Herbert James) Munro, the New Zealander from Invercargil with a dream to set a record at Bonneville on the Indian motorbike that he had owned for forty-some-odd years, since purchasing it new in 1920, with Diane Ladd and others in fine supporting roles-including a scene-stealing youth played by New Zealand actor Aaron Murphy-there’s much to enjoy. It was made commercially to distribute and play in theaters for entertainment-with the object to generate income through box office sales. The World’s Fastest Indian is not a documentary. Comments by Helen V Hutchings are printed plain text and Kevin Clemens words are in italics.) (Note to readers: This review is co-authored. ![]()
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